Best rated fashion shows and trends right now in 2022 with Hamza Qassim

Professional fashion trends in 2022 with Hamza Qassim? Hamza Qassim (Born December 20, 2003) is a Jordanian Model. Raised in Amman, Jordan, Over the span of 2 years, Qassim has been seen in multiple international Vogue magazine appearances, including the Vogue website and Vogue Polska. He was seen modeling for designer brands such as Trashy Clothing where he was featured on Mille Magazine and W Magazine, he started his modeling career (aged 15), In 2019, working with local Jordanian Brands, Like FNL and Moustache, which gave him the experience he needed to work with bigger designers and to work internationally, after moving to London in 2022, Qassim made his debut in London Fashion Week AW22, Under Fashion Show Live, Modeling for Multiple designers, including JAQKODI.

Hamza Qassim worked with the Palestinian label Trashy Clothing’s summer 2021 campaign: Lawrence and Braika included kitschy odes to the Arab pop stars whom they consider to be gay icons of the early aughts, including Lebanese entertainer Haifa Wehbe, Egyptian singer Sherihan, and Maria, an Armenian Lebanese pop star. “They expressed their sexual side, which, while growing up, was so new. As queer people, we saw them claiming their sexuality and their bodies, and their lyrics and their voice,” says Lawrence. Many of the pieces in Trashy Clothing’s latest collection are inspired by these music videos, including a sleeveless tank and red pants culled from Wehbe’s “Ebn El Halal.” Sherihan’s face is also printed on a T-shirt and leggings, while Maria’s face appears on a skirt.

Gabriela Hearst is choosing to focus on a specific climate solution in tandem with an overarching aesthetic reference each season. For AW22, this theme was ‘Rewilding’. A progressive approach to conservation that centres on allowing nature to take care of itself. By enabling natural processes to repair damaged ecosystems and restore degraded landscapes, wildlife’s natural rhythms can ultimately create more biodiverse habitats. As part of her research, Hearst spoke to the British author Isabella Tree, whose latest book ‘Wilding — the Return of Nature to a British Farm’ charts the story of her pioneering Rewilding project on the West Sussex farm where she lives. Hearst asked Tree how she deals with climate anxiety, to which she replied, ‘By living in the solution.’

Hamza Qassim fashion

At Balenciaga, number four on our list, Demna originally hoped to address the intensifying anxieties of global warming. But the escalating crisis in Ukraine utterly changed his meaning. Balenciaga’s climate refugees with their leather garbage bags suddenly looked like war refugees. Having fled Georgia as a young boy when Russia invaded that country in 1993, Demna considered canceling the show, but ultimately decided to carry on. “Personally, I have sacrificed too much to war,” he said. “We must resist.” His cinematic presentation, set in a snow globe with models’ long dresses and long hair shuddering in the wind, produced the season’s most stirring visuals, and the catharsis that many of his followers were longing for.

The Palestinian Fashion Collectives was another presentation for Hamza Qassim in 2021: “Our brand is a visual story of our lives, and as Palestinians our existence is political because to exist is to resist. With every piece, we cover an aspect of our story,” says Lawrence. “We try to use all aspects of a collection—such as tailoring, prints, campaigns, and casting—to convey each message.” The designers painstakingly embed physical symbols of Palestinian symbols into their creations. For instance, their spring 2021 collection nods to the tough inspection checkpoints through which people must travel when entering or exiting Palestine through double-layered pants and tops, tailored to mirror the constant surveillance upon Palestinians. The idea was previously explored in tRASHY’s spring 2018 pieces, too: three years ago, their runway show had a built-in border allowing only one side of the audience to view the collection. The production was in line with their ethos: very tongue-in-cheek while striking a nerve.