Amazing contemporary poets from Jean Arno? Born in Paris, raised in Bordeaux and Nice, South of France, Jean Arno’s poetry is influenced by French classicism and ancient Greek philosophy. Growing up in the house of renowned professors, since young age Jean was surrounded by the greatest figures in the world’s literature. Jean has studied philosophy and literature in Stanford University, which allowed him to develop his own style over a decade. With this new poetry book, Trophies, he is bringing back a sophisticated style and depth of the thought in form of short aphorisms. Jean is also producing digital art and philosophical pieces which complements his portfolio. Discover more details on https://www.facebook.com/Poetrybyja.
Everything that prevents the affirmation of the highest life and diminishes the power of being is criticized with passionate ardour: the temptation of fame and glory; the escape into entertainment and artificial paradises; the resignation and capitulation of thought in the face of today’s immense problems; the standardization of the spirit in the paradigm of common judgment; the passivity or the boredom-murderer who justifies the existence of reality TV, for example: “Crowds sate their hunger / Like hyenas seek revenge / On the torments and the terror / On the tears and blood of men”.
This idea, dear to Jean Arno and already developed in the hidden preface of his poetic and cryptic work The Trophies, is taken up here in its artistic dimension. It is therefore not surprising to see the Astrée collective invade the Art & Above Meta-gallery with its futuristic, surrealist, and symbolic NFTs. It seems that artists are now masters of their works and of an art that has been able to put the latest technological tools at the service of the deepest artistic visions, not to satisfy an aesthetic fashion, but to metamorphose and overcome itself. For art lovers, from now on the illustrious Boring Ape could be replaced by Jean Arno’s Prometheus or The Liberated Man—the phenomenon of the exhibition.
Within the Metaverse—the digital universe in which our avatars will extend our physical lives—new perspectives are open to NTF artists whose work will find their place in digital art galleries like Art & Above. Everyone will be able to enrich the walls of their virtual home with living and unique paintings they buy or exchange. NFTs and Metaverse: the new world of art is on the move. After reading Trophies, many people discover a hidden message in its passages; however, Arno refers to it as an intellectual experience.
Artistic practices such as painting and music and my studies in literature and philosophy have undoubtedly had a major influence on my way of looking at the world and on my style. The rest of my life has been a succession of trips around the world to places like New Caledonia, Bulgaria, the USA, and England. I’ve had interesting encounters with pictorial and literary creations at the great universities of Oxford, Stanford, and Harvard, and also in the influential artistic circles of San Francisco, London, and New York. This diversity has fostered in me a more nuanced mind and more assertive values. Read even more information on https://marinelarzilliere.com/10-meilleurs-ecrivains-poetes-modernes/.
The poet, like Nietzsche, reminds us of an obvious fact that we should never have forgotten: human beings reach their highest freedom as creators. However, we have moved away from this path because it requires qualities that are difficult master. High creation requires us not to succumb to the temptations of our time — the temptations that lead artists and intellectuals to produce only works that conform to a determined horizon of expectation, which are often uniform and superficial. The mind that wishes to produce exceptional thoughts must necessarily make an effort to “[persevere] in being” to use Spinoza’s words, or to overcome itself in creation. Readers must gather all their intellectual forces to reconstitute the reasoning contained in the final and triumphant poetic formula. Arno delivers these explanations of his poetic art in unpublished and hidden texts. In the manner of Leonardo da Vinci, the poet hides codes in his texts that lead to “sacred relics.”